Jericho, released in July of 2006, is Chris Black's first solo release, and was recorded with upright bass, banjo, guitar, accordion, violin, kick drums, piano, saw blades, brake drums, tambourines and maracas, mostly acquired by chance, and all played by Black himself.
"The instrumentation may change throughout the album, but the vibe remains the same: This is dark stuff." -- The Tucson Weekly, February 8th, 2007In the spring of 2007, Black completed a forty-day, thirty-two show solo tour of the United States in support of Jericho, and another, longer trip is in the works for the late summer and fall. An EP of instrumental violin music entitled Gadjo Bango: Dance Music for the Broken-Legged is also due this summer, as a breather before Jericho's darker follow-up release, Mountain to the Moon, planned for the winter/spring of 2008.
ASSORTED PRESS:
"Armed with an upright bass, acoustic guitar, banjo and live loops, Black's music veers from hushed to hair-raising."
The Onion, March 1st, 2007"The dark crunch of strings rips through the speakers as a warning to all passersby. This is no ordinary musician. Reaching beyond the boundaries of genre ... Chris Black debuts his solo album, a collection of more throb than beat, instruments churning and bleeding all over this canvas."
By Darcie Stevens, Austin Chronicle, Thursday, July 20th, 2006."Jericho is a dark trip, an 11-track bender, a 48-minute dunking in murky waters vibrating with upright bass, growling vocals and perfectly placed four-letter words ... it's a little hard not to fall prey to its sinister charm."
By Skylar Browning, Missoula Independent"...and the musician Chris Black steps up to unleash a tight series of gypsy improvisations on his excellent violin . . . The audience, as Black whacks the devil into his fiddlestick, is just about grooving."
By Wayne Alan Brenner, Austin Chronicle, Thursday, August 27, 2004"It's noise and frenetic, but never chaotic or unfocused. Holding court above it all is Black, yowling into an old-fashioned microphone like the bastard spawn of Nick Cave and Diamanda Galas, spinning tales of good intentions gone bad and love affairs gone south with the relish of a carnival barker hawking the bearded fat lady."
By Michael Toland, High Bias, February 17, 2002
VENUES PLAYED:
| Austin, TX |
Emo's The Hole in the Wall The Parlor The Cactus Cafe |
| Las Cruces, NM |
The Bean |
| Tucson, AZ |
Club Congress |
| Phoenix, AZ |
Trunk Space |
| Los Angeles, CA |
Silverlake Lounge The Steve Allen Theater Mr. T's Bowl |
| Santa Ana, CA |
Gypsy Den |
| Oakland, CA |
21 Grand Mama Buzz Cafe |
| San Francisco, CA |
Hotel Utah |
| Santa Cruz, CA |
The Attic |
| Sanra Clara, CA |
Barefoot Coffee |
| Davis, CA |
The Delta of Venus |
| Portland, OR |
The Green Room The Alberta Street Pub |
| Seattle, WA |
Skylark |
| Salt Lake City, UT |
Nobrow Coffee and Tea Burt's Tiki Lounge |
| Denver, CO |
Larimer Lounge |
| Kansas City, MO |
The Brick |
| Urbana, IL |
The Iron Post |
| Chicago, IL |
Reversible Eye Gallery |
| Kent, OH |
Club Khameleon |
| NY, NY |
Mo Pitkin's Banjo Jim's |
| Queens, NY | The Flux Factory |
| Washington D.C. |
The Warehouse Next Door |
| Chapel Hill, NC | The Cave |
CHRIS BLACK HAS SHARED A STAGE WITH THE FOLLOWING MUSICIANS:
Pong
Golden Arm Trio
Invincible Czars
Little Brazil
Retsila Gem
Pearl Handled Pistol
Tom Walbank
Ben Porches
Daryl Scariot
John David Michael Martin
Cat Hair Ensemble
Mike Stinson
Dorian Wood
Erich von Kneip
Killsonic
Ema
P.A.F.
Liz Pappademas
Vermillion Lies
Fishtank Ensemble
Receptionist Movement
Right On John
John Whipple
The Headliners
Hijack Maria
Freetown
Black Market Babies
GetYourGoing
Inactivists
Be/Non
Mit'n
The Thin Man
Black Bear Combo
Donnie Dim and Sparkle Magic
Lucinda Black Bear
Curtis Eller
WEB SITE
chrisblackmusic.com
SONGS FROM JERICHO
Pass Away
Jericho
All Along the Way
LIVE RECORDINGS
All Along the Way
Jericho
Bottom Drawer